![]() ![]() The result was something more than personal correspondence and less than an accomplished narrative work: a hybrid form of literary prose we might call the book-letter. Over the next six and a half weeks, Miller added eight more dated entries, as well as two small watercolors and a pen-and-ink sketch. ![]() ![]() On March 17, 1937, Miller opened a printer’s dummy-a blank mock-up of a book used by printers to test how the final product will look and feel-and penned the first twenty-three pages of a text written expressly to and for a young American expatriate who had “haphazardly led him to explore entirely new avenues of thought,” including “the secrets of the Bhagavad Gita, the occult writings of Mme Blavatsky, the spirit of Zen, and the doctrines of Rudolf Steiner.” He called it The Book of Conversations with David Edgar. Three of these were published during his lifetime two posthumously and one, dedicated to a David Forrester Edgar (1907–1979), was unaccounted for, both unpublished and privately held-until recently, when it came into the possession of the New York Public Library. Around the time he published some of his mostly famous works-Tropic of Cancer, Black Spring, and Tropic of Capricorn, to name a few- Henry Miller handwrote and illustrated six known “long intimate book letters” to his friends, including Anaïs Nin, Lawrence Durrell, and Emil Schnellock. ![]()
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